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| 08 Feb 2017 02:12 PM |
| What is you favorite Beatles song? |
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xabi
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| Joined: 31 Aug 2008 |
| Total Posts: 6836 |
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| 08 Feb 2017 03:27 PM |
I know they were kind of pioneers of their day...
But, really, never was a fan of them. But, their fame was well deserved. |
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| 08 Feb 2017 03:28 PM |
love me do is the only tolerable song
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Loyal2One
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| Joined: 24 Jun 2012 |
| Total Posts: 10155 |
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Briarroze
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| Joined: 05 Feb 2014 |
| Total Posts: 8117 |
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| 08 Feb 2017 04:32 PM |
| Hey Jude. Oh-Bla-Di is nice too. And Yellow Submarine. |
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rex2856
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| Joined: 16 Mar 2009 |
| Total Posts: 3145 |
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| 08 Feb 2017 05:48 PM |
| Hard choice between Hey Bulldog or Yellow Submarine. |
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| 08 Feb 2017 06:08 PM |
| Got to Get you into My Life is best Beatles song. |
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Remoseg
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| Joined: 07 Aug 2012 |
| Total Posts: 21315 |
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| 08 Feb 2017 08:16 PM |
https://www.youtube.com/watch?v=tDX2eB3IdV8&list=LLCTEog4eJgjiOwtPWt0G7wA
https://www.youtube.com/watch?v=2_oSI23s8qw |
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| 10 Feb 2017 11:14 PM |
The fact that so many books still name the Beatles ## "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming # serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics are still blinded by commercial success. The Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers. No wonder they will think that the Beatles did anything worthy of being saved. In a sense, the Beatles are emblematic of the status of rock criticism as a whole: too much attention paid to commercial phenomena (be it grunge or U2) and too little to the merits of real musicians. If somebody composes the most divine music but no major label picks him up and sells him around the world, a lot of rock critics will ignore him. If a major label picks up a musician who is as stereotyped as can be but launches her or him worldwide, your average critic will waste rivers of ink on her or him. This is the sad status of rock criticism: rock critics are basically publicists working for major labels, distributors and record stores. They simply highlight what product the music business wants to make money from. Hopefully, one not-too-distant day, there will be a clear demarcation between a great musician like Tim Buckley, who never sold much, and commercial products like the Beatles. At such a time, rock critics will study their rock history and understand which artists accomplished which musical feat, and which simply exploited it commercially. Beatles' "A#######usic removed any trace of black music from rock and roll. It replaced syncopated African rhythm with linear Western melody, and lu#####################ith cute white-kid smiles. Contemporary musicians never spoke highly of the Beatles, and for good reason. They could never figure out why the Beatles' songs should be regarded more highly than their own. They knew that the Beatles were simply lucky to become a folk phenomenon (thanks to "Beatlemania", which had nothing to do with their musical merits). That phenomenon kept alive interest in their (mediocre) musical endeavours to this day. Nothing else grants the Beatles more attention than, say, the Kinks or the Rolling Stones. There was nothing intrinsically better in the Beatles' music. Ray Davies of the Kinks was certainly # far better songwriter than ###### # ########## The Stones were certainly much more skilled musicians than the 'Fab Four'. And Pete Townshend was a far more accomplished composer, capable of entire operas such as "Tommy" and "Quadrophenia"; not to mention the far greater British musicians who followed them in subsequent decades or the US musicians themselves who initially spearheaded what the Beatles merely later repackaged to the masses. The Beatles sold a lot of records not because they were the greatest musicians but simply because their music was easy to sell to the masses: it had no difficult content, it had no technical innovations, it had no creative depth. They wrote a bunch of catchy 3-minute ditties and they were photogenic. If somebody had not invented "Beatlemania" in 1963, you would not have wasted five minutes of your time reading these pages about such a trivial band. |
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| 11 Feb 2017 09:57 AM |
| Hey Jude, and probably Strawberry Fields Forever too |
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3vade
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| Joined: 28 Apr 2016 |
| Total Posts: 1730 |
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| 11 Feb 2017 10:15 AM |
| The Beatles - Hello, Goodbye |
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chanyeohl
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| Joined: 28 Mar 2016 |
| Total Posts: 1984 |
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| 11 Feb 2017 10:16 AM |
strawberry fields or fool on the hill
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Epicone1z
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| Joined: 17 Mar 2012 |
| Total Posts: 2174 |
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| 11 Feb 2017 11:28 AM |
Maxwells Silver Hammer Helter Skelter Come Together |
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| 11 Feb 2017 02:33 PM |
hey jude
sunny day real estate is good |
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jone1196
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| Joined: 01 May 2009 |
| Total Posts: 6212 |
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| 11 Feb 2017 04:22 PM |
not too sure hmm
i remember learning the entire white album on bass before, really good for learning some cool melodic playing
but martha my dear or honey pie, really like that macca piano |
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jone1196
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| Joined: 01 May 2009 |
| Total Posts: 6212 |
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| 11 Feb 2017 04:23 PM |
that scaruffi review was horrible btw
tim buckley is okay, jeff buckley was better anyway lol |
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| 12 Feb 2017 09:09 PM |
| I don't like The Beatles. (finally I said it) |
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